Persona 3 mass destruction japan version free download

Uh, get ready Take it hot, right now I thought told y'all to sit down or get down I'm about'a hit ground When I'm in the box, my hits way out of this bounds Nobody's topping me You know it, damn right Most of y'alls loving me Doing it all night Keeping my friends close, and my foes closer Things getting messy, but I never lick the nose up As I get older, see things slower My enemies looking like kids, and I'm the grown up Forget it I'm the next masterpiece made A new generation came up with the beast "Ace" But I'm the mister nice guy See me I'm a wise guy Not a mafioso, but I hustle like Mike Lay low if you're feelin' me I take these beats, freaks go crazy with me So put 'em up in these break with me So shake with the man, L to the J's, now follow me Ooh yeah, Da-dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada, Ooh yeah, Da-dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada,.

I'm the hurricane in the ocean About to land disturbing the peace, it's a war zone You best took it serious when you heard the tone. Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada' ' Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Yeah, yeah, yeah, yeah Ooh yeah, Yeah, yeah, yeah, yeah.

Fears awake, anger beats louder Round up them, spit out, roll over Moment of truth, there ain't no truce Oh boy! But the battle goes on, Shadows of mass destruction I don't care anymore, enough of fake smiles Buckwild I go, tried it on but it didn't fit me so Found a better pair of shoes to walk Even in defeat, I hold my pride never gonna talk Better yet, my mouth is tight like James Bond You thought you saw me, but next second I'm gone I don't want no throne I'm a freelancer Do for benjamins, but I'm not a gangster Show me what you got If you got at all, 'cuz I fight not only verbally Volatile man I am, gotta game that I play I thought you might like the way I destruct everywhere I lay my hands I'm sick to the bone From the top of the dome to the tip of my toe I call the shots, the frontman calls the drop Going no where if you wanna take my spot Like that!

Survival of the fittest Cannot lose now! Gotta take over! Still paranoid to death Once again See me running running running far away Shadow's expressions opaque So time to eat them cook like steak, filet Oh babe I've got a whole crew with me who can relate To this mass destruction Just go crazy This ain't no default, fresh, no decay Making my own rules, no delay Paving my own way This ain't no children's play Living this moment, don't need a replay Burning my dread, many days I was dead wrong Too many shadows kept on pushing, I was drawn Into the potholes they try to brain-wash me down To the bottom, but ain't nobody can chain my brain Do or die?

I done did it done did it No limit till death comes to visit So wicked this life but I live it If I must mass destruct, I can in a minute Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada Baby, baby, baby Baby, baby, baby Baby, baby, baby Baby, baby, baby Yeah!

Uh-huh, yeah This is how I roll Y'all feel me right here? Ooh yeah, Dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada repeat x4 Fear's awake, anger beats loud, face reality Never beat charity The enemy you're fighting covers all society Damn right Mommy's not here, gotta fight All night Right here, Shadow 10 o'clock direction Seize the moment to destroy the nation Your rhyme is slow motion, give me motivation Freaked out now, dead on arrival Round up around, spit out All over Rhyme like a rolling stone Comin' a crowd Watch out, they move, they diss you loud Guess what this sound, it bombs whole ground So round up Don't ease your pace, 'cuz enemy's brutal Moment of truth, There ain't no truce You're the only one, one world, one love But the battle goes on, Shadows of mass destruction!

Dreamless dorm - Ticking clock, I walk away - from the soundless room Windless night - Moonlight melts, My ghostly shadow - to the lukewarm gloom Nightly dance Reminds me that I still live I'm a wise guy Not a mafioso, but I hustle like Mike Lay low if you're feelin' me I take these beats, freaks go crazy with me So put 'em up in this base with me So shake with the man, L to the J's, now follow me Ooh yeah, Da-dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada, Ooh yeah, Da-dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada, Ooh yeah, Da-dada-dada, dada-dada, Baby, baby, Da-dada-dada, dada-dada,.

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Piano once more drives the piece and pieces of "Burn My Dread" are heard throughout in a different key. The background sounds further cement the sorrow created by the piano and the brass makes it feel all the more epic.

They're certainly among the most hummable tracks. Completely piano driven, "Memories of the School" evokes a completely different feeling than its basis "Joy". A sense of reminiscence is present, especially since it is redoing an already familiar theme. It has almost a sad tone. Gone are the excited Japanese vocals and the blood pumping trumpets — nothing but serene piano is here.

The piano also provides a highlight in conjunction with the guitar in "Memories of the City". It's a simple but effective arrangement. Moving to the closure, "Battle Hymn of the Soul" is a surprising high-octane remix of "Aria of the Soul".

The original arrangement of the song was so powerful that almost any other version would have been deemed a tragedy. This is not so here. Guitars create an almost angry feeling while low brass and strings fuel the fire. The song becomes much faster and has the power of a shotgun behind it. When the piano blares and delivers the melody, it brings back the beauty of the original in a different setting. The female vocals sound a bit out of place with the guitar but, after the strings kick back in, any doubts about the song's preservation go away.

The infernal refrain from "Burn My Dread" also returns for th last battle theme. Thankfully there is something other than the refrain, but unfortunately it comes in the form of underwhelming Japanese rapping. The song is really repetitious and still earns my ire every second I spend listening to it. To round off the experience, "Enduring Bonds" repurposes the motifs of "Burn My Dread" for strings in a sentimental manner.

The ending theme "Memories of You" is the closest the album gets to real J-Pop in the album. All of the elements of "Joy" are here but retold with Japanese lyrics. It features hands down the strongest vocal performance on the entire album. This arrangement is quite wonderful with trumpets and other additions keeping the theme interesting. The vocals are not present but a guitar more than makes up for this with extremely jazzy infusions based on a Persona classic. This is a most excellent way to close off the release.

So the album has ended and how did it fare? Well Meguro has managed to put together a pretty stellar soundtrack. The efforts included within are a bit inconsistent in quality and some songs suffer due to repetition.

However, the rest of the album delivers in spades. The mixture of electronica, metal, jazz, and hip-hop ended working so well I cannot wait to see how Meguro improves on this in the future. The face of Persona has been changed forever. Listeners of Megaten music, don't let this album scare you away. Instead curl up with it for a few nights and see that there are impressive tracks riddled throughout.

However, the lack of distinguished styles left no outstanding impression on me so I didn't bother to find more works by the composers involved. In Persona 3 , the series fortunately develops a unique musical identity thanks to Atlus' hottest composer, Shoji Meguro.

Thanks to this soundtrack, I experienced about three weeks of Meguromania, when I crazily hunted all those albums done by him. Boy, this composer is good and deserves even more attention by video game music lovers. A savvy music creator, his style is a unique mixture of jazz, rock, and R'n'B. I was astonished that this style could appeal to me in Persona 3. Before this soundtrack, I always hated distorted guitar use, but this soundtrack single-handedly shifted my taste paradigm.

Let's take a closer look at what it has to offer While the vocal melody is catchy, it is unfortunately not supported by good pronunciation of the lyrics. I almost thought the music was sung in some foreign language before I looked at the liner notes and realised it's written in English, or at least, Engrish.

The lyrics are nevertheless unique for they actually tell the story of Persona 3. Despite the lack of clarity, I love this song very much. If you have played the Persona 2: Innocent Sin , you will likely be familiar with the second track, "Aria of the Soul" used in the Velvet Room. The wordless voice is enchanting and somehow sad while the piano accompaniment is beautiful. The song is used again in a crazy rock version for a boss battle at the end of the soundtrack. The CD becomes hotter as we proceed further in and find Meguro's trademark metal guitar.

He often combines this force with R'n'B, jazz, and hip-hop, most notably in the vocal tracks "Unavoidable Battle", "Mass Destruction", and "Deep Breath". There are times when the body of the music turns out to be very different to what is expected given the opening.

An example is "Mass Destruction", one of my favourites on the soundtrack. However, the rapping lacks clarity and the lyrics are again almost nonsensical.

Talking of great battle tracks, it's wonderful to see another adaptation of a vocal theme in "Burn My Dread -Last Battle-". Like "Battle Hymn of the Soul", this is a very clever adaptation. There are also a number of light tunes which are probably used in settings outside dungeons. Most of these are dominated with R'n'B rhythms, which are quite enjoyable. There are also some tracks that appear like a filler due to lack of a solid melody, such as "Adventured Act" and "Nyx". Compared to other tracks, I think these two are most disappointing.

However, the album actually ends with the semi-hidden track "Blues in Velvet Room". It is the jazziest track on the entire album — a reinterpretation of the Velvet Room theme with distorted guitar and piano accompaniment. In conclusion, the Persona 3 Original Soundtrack served as a good introduction to Shoji Meguro's work for me. What I liked about this CD were the amount of catchy mainstream-influenced setting and battle themes; as a typically classically-oriented listener, this soundtrack somehow made me enjoy heavy metal guitar performances that I previously loathed.

If you love jazzy music and groovy beats, this album will likely satisfy you too. However, if you listen Meguro's prior works, particularly the powerful Digital Devil Saga set, this album is less impressive and there is room for improvement. Nevertheless, album serves as a gate to his other superior works, including his excellent contributions to Persona 3 Fes, Persona 3 's arranged album, and Persona 4.